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midnight monologues

2026chapter 1 - goodbye, my dear mr.enigma

voiced by michaela mclean

Context

Midnight Monologues is a series of animated visual poems that transforms intimate emotional reflections into immersive experiences.

Midnight Monologues — context image 01
Midnight Monologues — context image 02

Chapter 1: Goodbye, My Dear Mr. Enigma is an experimental animated short film exploring the lingering traces of a relationship after its end. Through abstract 3D animation, real-time visuals, sound design, and poetic voiceover, the film navigates emotional detachment, the residues of intimacy, and the quiet reconstruction of the self. Set within the metaphorical space before dawn, it reflects on the moment when grief begins to transform into understanding and endings gradually give way to new beginnings.

The monologue has been adapted into four distinct language versions—Spanish, English, Japanese, and Mandarin Chinese—exploring emotion as a universal language capable of resonating across cultural boundaries. The short film was originally developed as part of a larger immersive installation, where moving image, projection, and virtual reality expanded its exploration of memory, vulnerability, and interior emotional landscapes.

short film stills

07 selected views
Midnight Monologues — still 01
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language adaptations

Mandarin Version

voiced by angela xu

language adaptations

Japanese Version

Voiced by Rina chen

Context

VR Visualisation — Testing sample

Hybrid Installation

Midnight Monologues takes the form of a hybrid installation combining physical projection and virtual reality, creating two parallel ways of experiencing the same audiovisual work. The projected environment represents an external, collective experience, while the VR component shifts the viewer toward a more intimate and individual encounter. Together, these two modes reflect the tension between an internal psychological landscape and the external body that continues to exist in the physical world.

For OCAD University's GradEx 111, the installation used two Optoma ML1080 projectors to display the monologue simultaneously across two walls, with synchronized sound and central seating for multiple viewers. The work was presented sequentially in English, Mandarin Chinese, Spanish, and Japanese, extending its exploration of emotion across linguistic and cultural contexts.

Alongside the physical installation, viewers could enter a surreal greenhouse-like conservatory through a Meta Quest 3 headset, where the English version of the monologue was projected within the virtual structure. The greenhouse acts as a metaphorical container for memory and emotional preservation, transforming the film from a screen-based work into an environment that can be inhabited. Noise-cancelling headphones separated this solitary VR experience from the surrounding projection space, reinforcing the contrast between collective observation and individual immersion.

GradEx 111 — neon jellyfish installation with dual projection screens
Installation overview — GradEx 111, OCAD University
GradEx 111 — immersive installation room
dual-screen projection environment
GradEx 111 — Meta Quest 3 headset
Meta Quest 3 — VR headset

Hybrid Installation

GradEX 111 Exhibition

Visitors viewing immersive projected artwork
01Installation view 01
Visitors encountering projection and virtual reality artwork
02Installation view 02
Visitors in a vivid projected digital-art exhibition
03Installation view 03
Audience viewing pink, purple, and blue projection installation
04Installation view 04
Immersive projection installation with visitors
05Installation view 05
Visitors experiencing a digital-art exhibition and VR work
06Installation view 06

Production TOOLS

3D Modelling & AnimationBlender and Autodesk Maya
Sound & Post-ProductionAfter Effects
Texturing & virtual environment developmentSubstance painter and unreal engine
Generative & real-time visualstouchdesigner
VR & Interactive DevelopmentUnreal Engine